BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//The Company Onstage - ECPv6.6.3//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-ORIGINAL-URL:https://companyonstage.org
X-WR-CALDESC:Events for The Company Onstage
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:America/Chicago
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20230312T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20231105T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20240310T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20241103T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20250309T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20251102T070000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:-0600
TZOFFSETTO:-0500
TZNAME:CDT
DTSTART:20260308T080000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0500
TZOFFSETTO:-0600
TZNAME:CST
DTSTART:20261101T070000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260315
DTEND;VALUE=DATE:20260317
DTSTAMP:20260422T132025
CREATED:20250820T002200Z
LAST-MODIFIED:20260225T214928Z
UID:2267-1773532800-1773705599@companyonstage.org
SUMMARY:AUDITIONS - "The Last of the Dragons” and “Describe the Night"
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “The Last of the Dragons” by Kristin Walter\, adapted from the story by Edith Nesbit and “Describe the Night” by Rajiv Joseph. \nAuditions will take place on Sunday\, March 15th\, and Monday\, March 16th\, 2026\, beginning at 7:00 p.m. at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the stage managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors will not need prepared monologues. The evening will cover the auditions for both shows\, beginning with the Young Audiences Production. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n*************************************************************************** \nYOUNG AUDIENCES PRODUCTION – “The Last of the Dragons” by Kristin Walter\, Adapted from the story by Edith Nesbit \nDirected by Daniela Castro\n“The Last of the Dragons” is presented by arrangement with Concord Theatricals on behalf of Samuel French\, Inc. www.concordtheatricals.com \nFirst Rehearsal: Sunday\, April 5th\, 2026\nRehearsal Schedule: Sunday and Tuesday evenings beginning at 7:00 p.m. (Additional Dates may be added\, if needed)\nPerformance Dates: Saturdays June 6th\, 13th\, 20th\, 27th\, 2026\, at 11:00 a.m. and 1:30 p.m. and Sunday\, June 14th\, 2026\, at 2:00 p.m.\nStrike Date: Sunday\, June 28th\, 2026\, at 12:00 p.m. \nCASTING REQUIREMENTS: \nTotal Number of Actors: 7\nAge Range: 18+\nNumber of Women: 3+\nNumber of Men: 3+\nAll ethnicities are welcome.\nThere are no roles for actors under 18.\nAll actors must be comfortable with physicality and movement. \nLIST OF CHARACTERS: \nPRINCESS (18-25) This character performs push-ups on stage during the show.\nPRINCE (18-25)\nKING (40+)\nNURSE (30+)\nVALET (30+)\nDRAGON (18+)\nSTORYTELLER (18+) This role will assist with set changes during the show. \nSYNOPSIS:\nIn the kingdom of Middlefield\, there is a tradition. On a princess’ sixteenth birthday\, she is tied to a rock\, kidnapped by a dragon\, rescued by a prince\, and lives happily ever after. But what happens when the prince is too afraid to fight\, the princess wants to do the rescuing herself\, and the dragon is nowhere to be found? Adapted from the story by Edith Nesbit\, The Last of the Dragons tells a tale of bravery\, intelligence\, and unexpected friendship. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT AND PHYSICALITY. \n******************************************************************************************** \nEVENING SERIES PRODUCTION – “Describe the Night” by Rajiv Joseph. \nDirected by Randy Packer\nProduced by special arrangement with Broadway Licensing\, LLC\, servicing the Dramatists Play Service collection. (www.dramatists.com) \nFirst Rehearsal: Monday\, April 6th\, 2026\nRehearsal Schedule: Monday\, Wednesday\, and Thursday evenings beginning at 7:00 pm. (Additional Dates may be added\, if needed)\nPerformance Dates: Fridays and Saturdays\, June 5th\, 6th\, 12th\, 13th\, 19th\, 20th\, 26th\, and 27th\, 2026\, at 8:00 p.m.\, and Sunday\, June 7th\, 2026\, at 2:00 p.m.\nStrike Date: Sunday\, June 28th\, 2026\, at 12:00 p.m. \nCASTING REQUIREMENTS:\nTotal Number of Actors: 7\nAge range: 20-40\nNumber of Women: 3\nNumber of Men: 4\nAll ethnicities are welcome.\nThere are no roles for anyone under 18 in this production. \nLIST OF CHARACTERS: \nIssac –  (Male\, 20-30s) Fiction writer who has a fairly romantic view of reality\nNikolai – (Male\, 20-30s) This role ages substantially throughout the show. Military officer who has a concrete view of reality.\nYevgenia – (Female\, 20-30s) This role ages substantially throughout the show.\nVova – (Male\, 20-30s)\nUrzula – (Female\, Early 20s)\nFeliks – (Male\, Early 20s)\nMariya – (Female\, 20s-30s) \nSYNOPSIS:\nIn 1920\, the Russian writer Isaac Babel is a war correspondent with the Red Cavalry. Seventy years later\, a mysterious Stasi agent spies on a woman in Dresden and falls in love. In 2010\, an aircraft carrying most of the Polish government crashes in the Russian city of Smolensk. Set in Russia and East Germany over the course of ninety years\, this thrilling and epic play traces the stories of seven people connected by history\, myth\, and conspiracy theories. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT AND AN OPPORTUNITY FOR PRESENTATION OF A PREPARED MONOLOGUE UNDER 1 MINUTE (NOT REQUIRED). \n*************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message.
URL:https://companyonstage.org/cal-event/auditions-the-last-of-the-dragons-and-describe-the-night/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:Audition,Shows and Events
ATTACH;FMTTYPE=image/jpeg:https://companyonstage.org/wp-content/uploads/Block-5-Hero-3.jpg
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20260111
DTEND;VALUE=DATE:20260113
DTSTAMP:20260422T132025
CREATED:20250820T001429Z
LAST-MODIFIED:20260105T154534Z
UID:2265-1768089600-1768262399@companyonstage.org
SUMMARY:AUDITIONS - “Junie B. Jones: Toothless Wonder” and “Silent Sky”
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “Junie B. Jones: Toothless Wonder” by Allison Gregory and “Silent Sky” by Lauren Gunderson. \nAuditions will take place on Sunday\, January 11th and Monday\, January 12th\, 2026\, beginning at 7pm at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the Stage Managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors are not required to present prepared monologues. The evening will cover the auditions for both shows\, beginning with the Young Audiences Production. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n*************************************************************************** \nYOUNG AUDIENCES PRODUCTION – “Junie B. Jones: Toothless Wonder” by Allison Gregory \nDirected By: Allison Rozell\nProduced by special arrangement with Playscripts\, Inc. (www.playscripts.com) \nFirst Rehearsal: Sunday\, February 1st\, 2026\nRehearsal Schedule: Sunday and Tuesday Evenings Beginning at 6:30 p.m.\nAdditional Rehearsals: Friday\, March 20th\, 2026 and Friday\, March 27th\, 2026 \nPerformance Dates: Saturdays April 4th\, 11th\, 18th\, and 25th\, 2025 at 11 a.m. and 1:30 p.m. and Sunday\, April 19th\, 2026\, at 2 p.m.\nStrike Date: Sunday\, April 26th\, 2026\, at 12 pm \nCASTING REQUIREMENTS:\nTotal Number of Actors:\nAge Range: 8+ to adult\nNumber of Women: 3+\nNumber of Men: 4+\nAll ethnicities are welcome.\nThere are no roles for anyone under 8 in this production. \nLIST OF CHARACTERS (some actors might portray multiple roles):\nJUNIE B. JONES\nMAY / MOM\nGRACE\nMISS CHRIS\nGRANDMA MILLER\nMR. SCARY\nGRAMPA MILLER\nTOOTH WITCH #3\nWILLIAM\nPRINCIPAL\nTOOTH WITCH #2\nJIM\nDAD\nPAULIE ALLEN PUFFER\nTOOTH WITCH #1\nOFFICE LADY \nSYNOPSIS:\nJunie B. Jones is having a rough day – no\, scratch that\, a rough week! First off\, she is about to lose her first tooth. What will she even look like once it comes out? And what does the Tooth Fairy want all those teeth for anyway? Even worse\, everyone in her class except for her has been invited to her classmate Jim’s birthday party. Will Junie B. land that surprisingly elusive invitation? Return to Junie B.’s charming and witty world in JUNIE B. JONES: TOOTHLESS WONDER. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF WARM UP GAMES AND COLD READINGS FROM THE SCRIPT. \n*************************************************************************** \nEVENING THEATRE PRODUCTION – “Silent Sky” by Lauren Gunderson \nDirected By: Charlotte YerpeStock\nProduced by special arrangement with Broadway Licensing\, LLC\, servicing the Dramatists Play Service collection. (www.dramatists.com) \nFirst Rehearsal: Monday\, February 2nd\, 2026\nRehearsal Schedule: Monday\, Wednesday\, and Thursday Evenings Beginning at 7pm.\n(Additional Dates may be added\, if needed)\nPerformance Dates: Fridays and Saturdays\, April 3rd\, 4th\, 10th\, 11th\, 17th\, 18th\, 24th\, and 25th 2026 at 8:00 p.m.\, and Sunday\, April 12th\, 2026 at 2:00 p.m.\nStrike Date: Sunday\, April 26th\, 2025\, at 12 pm \nCASTING REQUIREMENTS\nTotal Number of Actors: 5 Roles & 5-10 Costumed  Stagehands\nAge range: 20s – 50s\nNumber of Women: 4\nNumber of Men: 1\nCostumed Stagehands: open gender\, 18+\nThere are no roles for anyone under 18 years of age in this production. \nThis production includes moments of close contact. Actors should be comfortable with limited hugging\, kissing\, ballroom-style dancing\, and brief affectionate scenes with some close contact. Prior dancing experience not required. \nLIST OF CHARACTERS:\nHENRIETTA LEAVITT: 30s\, brilliant\, meticulous\, excited-almost always wearing a period hearing-aid.\nMARGARET LEAVITT: 30s\, homebody\, creative\, sweet\, sister.\nPETER SHAW: 30s\, the head astronomer’s apprentice…and the man.\nANNIE CANNON: 40s\, the leader\, terse and sure\, grows into a firebrand.\nWILLIAMINA FLEMING: 50s\, smart as a whip and fun\, Scottish. \nSYNOPSIS:\nWhen Henrietta Leavitt begins work at the Harvard Observatory in the early 1900s\, she isn’t allowed to touch a telescope or express an original idea. Instead\, she joins a group of women “computers\,” charting the stars for a renowned astronomer who calculates projects in “girl hours” and has no time for the women’s probing theories. As Henrietta\, in her free time\, attempts to measure the light and distance of stars\, she must also take measure of her life on Earth\, trying to balance her dedication to science with family obligations and the possibility of love. The true story of 19th-century astronomer Henrietta Leavitt explores a woman’s place in society during a time of immense scientific discoveries\, when women’s ideas were dismissed until men claimed credit for them. Social progress\, like scientific progress\, can be hard to see when one is trapped among earthly complications; Henrietta Leavitt and her female peers believe in both\, and their dedication changed the way we understand both the heavens and Earth. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. THE ROLE OF WILLIAMINA FLEMING CALLS FOR A SCOTTISH ACCENT. ANY ACTORS INTERESTED IN THIS ROLE WILL BE ASKED TO PRESENT A SCOTTISH ACCENT. \n*************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message.
URL:https://companyonstage.org/cal-event/auditions-junie-b-jones-toothless-wonder-and-silent-sky/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:Audition,Shows and Events
ATTACH;FMTTYPE=image/jpeg:https://companyonstage.org/wp-content/uploads/Block-4-Hero-1.jpg
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20251116
DTEND;VALUE=DATE:20251118
DTSTAMP:20260422T132025
CREATED:20250818T181608Z
LAST-MODIFIED:20251105T142623Z
UID:2257-1763251200-1763423999@companyonstage.org
SUMMARY:AUDITIONS - “Lions in Illyria" and "The Importance of Being Earnest”
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “Lions in Illyria” by Robert Kauzlaric and “The Importance of Being Earnest” by Oscar Wilde. \nAuditions will take place on Sunday\, November 16th\, and Monday\, November 17th\, 2025\, beginning at 7pm at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the stage managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors will not need prepared monologues. The evening will cover the auditions for both shows\, beginning with the Young Audiences Production. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n*************************************************************************** \nYOUNG AUDIENCES PRODUCTION – “Lions in Illyria” by Robert Kauzlaric\nDirected By Lauren Hainley \nProduced by special arrangement with Playscripts\, Inc. (www.playscripts.com) \nFirst Rehearsal: Wednesday\, December 10th\, 2025\nRehearsal Schedule: See below dates\, Rehearsals begin at 7 pm (Additional Dates on Fridays\, Saturdays\, and / or Sundays may be added\, depending on cast’s availability)\nDecember: 7th\, 14th\, and 15th\nJanuary: 1st\, 7th\, 8th\, 14th\, 15th\, 21st\, 22nd\, 27th\, and 28th\nPerformance Dates: Saturdays January 31st\, February 7th\, 14th\, and 21st\, 2026 at 11 a.m. and 1:30 p.m. and Sunday\, February 15th\, 2026 at 2 p.m.\nStrike Date: Sunday\, February 22nd \nCASTING REQUIREMENTS:\nTotal Number of Actors: 4 actors\nAge Range: 21+\nAll ethnicities and gender expressions are welcome.\nThere are no roles for anyone under 21 in this production. \nAll four roles are open to any gender\, and all actors will play multiple parts. Roles are highly physical\, and actors will need to possibly run\, jump\, climb\, carry\, be carried and fall. Actors should be comfortable with physical comedy and a background in improv would be a bonus but not required. \nLIST OF CHARACTERS\nVIOLET – a lioness cub\nSEBASTIAN – a lion cub\nORSINO – a peacock nobleman\nOLIVIA – a gazelle noblewomen\nTOBY – a warthog knight\nANDREW – a dodo knight\nMARIA – a hyena maid\nANTONIA – a monkey pirate \nSYNOPSIS:\nGiraffes are gentlemen\, aardvarks are card sharks\, and animals rule the world in this retelling of Shakespeare’s Twelfth Night. When young lioness Violet is separated from her twin brother by a storm at sea\, she must find her way alone in an unknown country. Disguised as a boy\, she finds work helping a preposterous peacock win the love of the most graceful gazelle in town\, but it’s not long before Violet is torn between multiple masters and the whole menagerie is tangled in matters of the heart. Travel to the weird and wonderful land of Illyria in this magical\, clever comedy. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF SOME WARM UP THEATER GAMES FOLLOWED BY COLD READINGS FROM THE SCRIPT. \n*************************************************************************** \nEVENING THEATRE PRODUCTION – “The Importance of Being Earnest” by Oscar Wilde\nDirected by Sam Martinez \nRehearsal Schedule: See below dates\, Rehearsals begin at 7 pm (Additional Dates on Fridays\, Saturdays\, and / or Sundays may be added\, depending on cast’s availability)\nDecember: 8th\, 10th\, 16th\, 17th\, 18th\, 21st\, 22nd\, 23rd\, 28th\, 29th\, and 30th\nJanuary: 4th\, 5th\, 6th\, 13th\, 18th\, 19th\, 20th\, 25th\, 26th\, and 29th\nPerformance Dates: Fridays and Saturdays\, January 30th\, 31st\, February 6th\, 7th\, 13th\, 14th\, 20th and 21st at 8:00 p.m 22nd\, 2026 @ 8:00 p.m.\, and Sunday\,\nFebruary 8th\, 2026 @ 2:00 p.m.\nStrike Date: Sunday\, February 22nd\, 2026 \nCASTING REQUIREMENTS:\nTotal Number of Actors: 8\nAge range: 18+\nAll ethnicities and gender expressions are welcome and all roles will be open to all genders.\nThere are no roles for anyone under 18 in this production. \nLIST OF CHARACTERS:\nLADY BRACKNELL\nGWENDOLEN FAIRFAX\nMERRIMAN / LANE\nREVERAND CANON CHASUBLE\nALGERNON MONCRIEFF\nMISS PRISM\nCECILY CARDEW\nJACK WORTHING \nSYNOPSIS:\nThe play follows the escapades of two charming bachelors\, Jack and Algernon\, who lead double lives to escape their social obligations. Jack pretends to have a wicked brother named Ernest\, whose mischievous behavior provides him with an excuse to escape his country life and pursue romantic interests in London. Algernon employs a similar tactic\, creating an imaginary friend named Bunbury whose frequent illnesses allow him to escape his social commitments in London and enjoy leisurely pursuits in the country. Their intricate web of deception becomes increasingly complicated when both men fall in love. The pursuit of love and marriage leads to a series of comedic misunderstandings and absurd situations. Through clever wordplay\, satire\, and hilarious characters\, Wilde critiques the superficial values and social expectations of the Victorian upper class\, particularly their rigid adherence to societal norms and their obsession with appearance. The Importance of Being Earnest humorously explores the lengths people will go in order to maintain a façade of respectability and navigate the complexities of love and marriage within a restrictive social framework. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. \n*************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message.
URL:https://companyonstage.org/cal-event/auditions-lions-in-illyria-and-the-importance-of-being-earnest/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:Audition,Shows and Events
ATTACH;FMTTYPE=image/jpeg:https://companyonstage.org/wp-content/uploads/Block-3-Hero-3.jpg
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250914
DTEND;VALUE=DATE:20250916
DTSTAMP:20260422T132025
CREATED:20250818T180455Z
LAST-MODIFIED:20250902T000559Z
UID:2249-1757808000-1757980799@companyonstage.org
SUMMARY:AUDITIONS - “‘Twas the Night Before Christmas” and “Every Christmas Story Ever Told (And Then Some)"
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “‘Twas the Night Before Christmas” by Ken Ludwig\, and “Every Christmas Story Ever Told (And Then Some)” by Michael Carleton\, James FitzGerald\, & John K. Alvarez. \nAuditions will take place on Sunday\, September 14th\, and Monday\, September 15th\, 2025 beginning at 7pm at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the stage managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors will not need prepared monologues. The evening will cover the auditions for both shows\, beginning with the Young Audiences Production. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n*************************************************************************** \nYOUNG AUDIENCES PRODUCTION – “’Twas the Night Before Christmas” by Ken Ludwig\nDirected By Jennifer Brown \n“Ken Ludwig’s ‘Twas The Night Before Christmas” is presented by arrangement with Concord Theatricals on behalf of Samuel French\, Inc. www.concordtheatricals.com \nFirst Rehearsal: Sunday\, October 5th\, 2025\nRehearsal Schedule: Sunday and Tuesday Evenings beginning at 7pm. (Additional Dates may be added\, if needed)\nPerformance Dates: Saturdays December 6th\, 13th\, and 20th\, 2025 at 11 a.m. and 1:30 p.m. and Sunday\, December 14th at 2 p.m.\nStrike Date: Sunday\, December 21st\, 2025 \nCASTING REQUIREMENTS:\nTotal Number of Actors: 5\nAge Range: 13-50+\nNumber of Women: 3 or 2\nNumber of Men: 2 or 3\nAll ethnicities are welcome. \nLIST OF CHARACTERS:\nSIR GUY OF GISBOURNE / UNCLE BRIERLY: male\, aged 30 – 50+\nAMOS / AMOS OF KANSAS: male\, aged 13 – 25\nEMILY: female\, aged 13 – 25\nCALLIOPE / BRITANNIA SNEED: female\, aged 13 – 25\nMULCH / SANTA CLAUS / WENDELL SNEED: male\, aged 30 – 50+ \nSYNOPSIS:\n“‘Twas the night before Christmas\, when all through the house\, not a creature was stirring\, not even a mouse.” But wait! A mouse is stirring – because Santa missed his house last year. Before you can say “Merry Christmas!”\, we’re off on the wild adventures of a mouse\, an elf\, and a spunky little girl who just won’t take no for an answer. Don’t miss this joyful tribute to the holiday season! \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT AND A BRIEF PERFORMANCE OF A CHRISTMAS CAROL (MUSICAL PRESENTATION). \n*************************************************************************** \nEVENING THEATRE PRODUCTION – “Every Christmas Story Ever Told (And Then Some!)” by Michael Carleton\, James FitzGerald\, & John K. Alvarez\nDirected by Dylan Smail \nProduced by special arrangement with Broadway Licensing\, LLC\, servicing the Dramatists Play Service collection. (www.dramatists.com) \nFirst Rehearsal: Monday\, October 6th\, 2025\nRehearsal Schedule: Monday\, Wednesday\, and Thursday Evenings beginning at 7pm. (Additional Dates may be added\, if needed)\nPerformance Dates: Fridays and Saturdays\, December 5th\, 6th\, 12th\, 13th\, 19th\, 20th at 8:00 pm and Sunday\, December 7th\, 2025\, at 2:00 p.m.\nStrike Date: Sunday\, December 21st\, 2025 \nCASTING REQUIREMENTS:\nTotal Number of Actors: 3\nAge range: 18+\nNumber of Men or Women: 3\nAll ethnicities are welcome.\nThere are no roles for anyone under 18 in this production. \nLIST OF CHARACTERS:\nAll three roles are open to any gender\, and all actors will play multiple parts. Roles are highly physical\, and actors will need to run\, jump\, climb\, carry\, be carried and fall. Actors will need to be comfortable with stage combat and physical comedy. \nSYNOPSIS:\nInstead of performing Charles Dickens’ beloved holiday classic for the umpteenth time\, three actors decide to perform every Christmas story ever told – plus Christmas traditions from around the world\, seasonal icons from ancient times to topical pop-culture\, and every carol ever sung. A madcap romp through the holiday season! \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT AND A BRIEF PERFORMANCE OF A CHRISTMAS CAROL (MUSICAL PRESENTATION). \n*************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message.
URL:https://companyonstage.org/cal-event/auditions-twas-the-night-before-christmas-and-every-christmas-story-ever-told-and-then-some/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:Audition,Shows and Events
ATTACH;FMTTYPE=image/jpeg:https://companyonstage.org/wp-content/uploads/Block-2-Hero-4.jpg
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250720
DTEND;VALUE=DATE:20250722
DTSTAMP:20260422T132025
CREATED:20250706T204855Z
LAST-MODIFIED:20250717T124525Z
UID:2048-1752969600-1753142399@companyonstage.org
SUMMARY:AUDITIONS - "Kid Frankenstein" and "Blithe Spirit"
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “Kid Frankenstein” and “Blithe Spirit”. \nAuditions will take place on Sunday\, July 20th\, and Monday\, July 21st\, 2025\, beginning at 7pm at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the stage managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors are not required to prepare a monologue. The evening will cover the auditions for both shows\, beginning with the Young Audiences Production. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n*************************************************************************** \nYOUNG AUDIENCES PRODUCTION – “Kid Frankenstein” – After Mary Shelley’s “Frankenstein\,” Adapted By Kathryn Schultz Miller.\nDirected By Kathryn Noser\nProduced by special arrangement with ArtReach Children’s Theatre Plays.\nFirst Rehearsal: Sunday\, August 10th\nRehearsal Schedule: Sunday and Tuesday Evenings Beginning at 7pm.\n(Additional Dates may be added\, if needed)\nPerformance Dates: Saturdays October 4th\, 11th\, 18th and 26th\, 2025 at 11 a.m. and 1:30 p.m. and Sunday\, October 19th at 2 p.m.\nStrike Date: Sunday\, October 26th \nCASTING REQUIREMENTS:\nTotal Number of Actors: 11\nAge Range: 10 – 50+\nThis is a Flexible Cast (2-9 Women and 2-9 Men)\nAll ethnicities are welcome.\nThere are no roles for children under 10 in this production. \nLIST OF CHARACTERS\, AGE RANGES\, AND GENDERS:\nFrankie Stein: any gender\, age 10-13\nIrving: male\, age 10-13\nHelga: female\, age 10-13\nKid 1: any gender\, age 10-13\nKid 2: any gender\, age 10-13\nT-Bone: any gender\, age 10-13\nBarbie Q or Knucklehead: any gender\, age 10-13\nMrs. Newton: female\, age 20-60\nMr. Klondike: male\, age 30-50\nMr. Spots or Mrs. Magillacutty: any gender\, age 50+\nMonster: any gender\, age 10-50+ \nSYNOPSIS:\nFinally!  Frankenstein is kid-friendly! Frankie and Irving are science nerds who have an unusual idea for the upcoming Science Fair.  When Doctor Frankenstein’s ancient secret book arrives from Transylvania\, the friends are whisked into a sci-fi fantasy of time-warped\, weirdly scary and lively adventure. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. \n*************************************************************************** \nEVENING THEATRE PRODUCTION – “Blithe Spirit” by Noël Coward\nDirected by Mike Marlowe\n“Blithe Spirit” is produced by special arrangement with Concord Theatricals\nFirst Rehearsal: Monday\, August 11th\nRehearsal Schedule: Monday\, Wednesday\, and Thursday Evenings Beginning at 7pm.\n(Additional Dates may be added\, if needed)\nPerformance Dates: Fridays and Saturdays\, October 3rd\, 4th\, 10th\, 11th\, 17th\, 18th\, 24th\, and 25th at 8:00 p.m.\, and Sunday\, October 12th at 2:00 p.m.\nStrike Date: Sunday\, October 26th \nCASTING REQUIREMENTS:\nTotal Number of Actors: 7\nAge range: mid 20s – 65\nNumber of Women: 5\nNumber of Men: 2\nAll ethnicities are welcome.\nThere are no roles for children in this production. \nLIST OF CHARACTERS:\nEdith: female\, age mid 20s\, has a posh English accent (BBC-style)\nRuth: female\, age 35-65\, has a posh English accent (BBC-style)\nCharles: male\, age 35-65\, has a posh English accent (BBC-style)\nDr. Bradman: male\, age 35-65\, has a posh English accent (BBC-style)\nMrs. Bradman: female\, age 35-65\, has a posh English accent (BBC-style)\nMadame Arcati: female\, age 35-65\, has an Italian accent\nElvira: female\, age mid 20s\, has a posh English accent (BBC-style) \nSYNOPSIS:\nA smash comedy hit in London and New York\, this much-revived classic from the playwright of Private Lives concerns fussy\, cantankerous novelist Charles Condomine\, who has remarried but finds himself haunted (literally) by the ghost of his late first wife\, Elvira. Clever\, insistent and well aware of Charles’ shortcomings\, Elvira is called up by a visiting “happy medium\,” the eccentric and flighty Madame Arcati. As everyone’s personalities clash\, Charles’ current wife\, Ruth\, is accidentally killed. She “passes over” and joins Elvira\, allowing the two “blithe spirits” to haunt the hapless Charles into perpetuity. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. THE DIRECTOR IS REQUESTING POSH BRITISH ACCENTS (THINK BBC-STYLE) FOR ALL ROLES\, AND THOSE INTERESTED IN MADAME ARCATI SHOULD ALSO PREPARE AN ITALIAN ACCENT OPTION. ALL AUDITIONING ACTORS ARE ENCOURAGED TO PRESENT A ONE-MINUTE MONOLOGUE\, DRAMATIC OR COMEDIC\, TO SHOWCASE THEIR RANGE AND SKILL. \n*************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message.
URL:https://companyonstage.org/cal-event/auditions-kid-frankenstein-and-blithe-spirit/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:2025-2026,Audition,Event
ATTACH;FMTTYPE=image/jpeg:https://companyonstage.org/wp-content/uploads/B1-Auditions-Website-Graphics.jpg
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250316
DTEND;VALUE=DATE:20250318
DTSTAMP:20260422T132025
CREATED:20240829T235200Z
LAST-MODIFIED:20250303T185138Z
UID:1830-1742083200-1742255999@companyonstage.org
SUMMARY:AUDITIONS – “The Boy Who Loved Monsters and the Girl Who Loved Peas” and "Crimes of the Heart"
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “The Boy Who Loved Monsters and the Girl Who Loved Peas” by Jonathan Graham and “Crimes of the Heart” by Beth Henley. \n Auditions will take place on Sunday\, March 16th\, and Monday\, March 17th\, 2025 beginning at 7:00 p.m. at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the stage managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors will not need prepared monologues. The evening will cover the auditions for both shows\, beginning with the Young Audiences Production. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n*************************************************************************** \nYOUNG AUDIENCES PRODUCTION – “The Boy Who Loved Monsters and the Girl Who Loved Peas” by Jonathan Graham \nDirected By Mary Ann Janecka \nProduced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock\, Illinois \nFirst Rehearsal: Sunday\, April 6th\, 2025 \nRehearsal Schedule: Sunday and Tuesday evenings beginning at 7:00 p.m. \n(Additional Dates may be added\, if needed) \nPerformance Dates: Saturdays June 7th\, 14th\, 21st\, 28th\, 2025 at 11:00 a.m. and 1:30 p.m. and Sunday\, June 22nd\, 2025 at 2:00 p.m. \nStrike Date: Sunday\, June 29th\, 2025 at 12:00 p.m. \nCASTING REQUIREMENTS: \nTotal Number of Actors: 5 \n1 Woman\, Mid 20s – Mid 30s \n1 Man\, Mid 20s – Mid 30s \n1 Individual\, Any Gender\, Any Age \n1 Boy\, 8-18 years old \n1 Girl\, 6-18 years old \nAll ethnicities are welcome. \nLIST OF CHARACTERS\, AGE RANGES\, AND GENDERS: \nEVAN: A boy of 8\, Sue’s big brother. \nSUE: A girl of 4\, Evan’s little sister. \nPEA: Any age\, A big\, green-headed monster who is exuberant and energetic. \nMOMMY / MOMMY PEA: Mid 20s – Mid 30s\, Loving sweet Mother but distracted by electronics. \nDADDY / DADDY PEA: Mid 20s – Mid 30s\, Kind Father but also distracted by electronics. \nSYNOPSIS: \nLeft alone at the dinner table to finish the remains of his meal (a single\, enormous pea)\, 8-year-old Evan wishes he had a real live monster to eat his peas and play with him. When a real live monster actually arrives\, life is turned upside down for Evan and his family in this hilarious and heartfelt comedy. The monster\, named Pea\, immediately befriends Evan and his little sister\, Sue. Pea helps clean\, spies on the parents\, acts out stories about princesses and space aliens and even takes Evan and Sue to visit Monster World—but the children have to keep talking the monster out of eating their parents! When Pea hides under the table during breakfast—and steals pancakes from people’s plates—the distracted\, technology-addicted parents finally discover the monster under the table. The family has to decide whether to send the monster back to Monster World or accept it as a member of their family. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT AND PHYSICALITY. \n******************************************************************************************** \nEVENING SERIES PRODUCTION – “Crimes of the Heart” by Beth Henley. \nDirected by Joseph “Chepe” Lockett \nProduced by special arrangement with Broadway Licensing \nFirst Rehearsal: Monday\, April 7th\, 2025 \nRehearsal Schedule: Monday\, Wednesday\, and Thursday evenings beginning at 7:00 pm. \n(Additional Dates may be added\, if needed) \nPerformance Dates: Fridays and Saturdays\, June 6th\, 7th\, 13th\, 14th\, 20th\, 21st\, 27th\, and 28th\, 2025 at 8:00 p.m.\, and Sunday\, June 15th\, 2025 @ 2:00 p.m. \nStrike Date: Sunday\, June 29th\, 2025 at 12:00 p.m. \nCASTING REQUIREMENTS: \nTotal Number of Actors: 6 \nAge range: Mid 20s – 30s \n2 men\, 4 women \nAll ethnicities are welcome. \nActors must be comfortable with physical comedy and comedic timing is a plus. \nThere are no roles for children in this production. \nLIST OF CHARACTERS: \nMargaret “Meg” Magrath \nLenora “Lenny” Magrath \nRebecca “Babe” Botrelle (Nee Magrath) \nChick Boyle \nBarnette Lloyd \nDoc Porter \nSYNOPSIS: \nThe scene is Hazlehurst\, Mississippi\, where the three Magrath sisters have gathered to await news of the family patriarch\, their grandfather\, who is living out his last hours in the local hospital. Lenny\, the oldest sister\, is unmarried at thirty and facing diminishing marital prospects; Meg\, the middle sister\, who quickly outgrew Hazlehurst\, is back after a failed singing career on the West Coast; while Babe\, the youngest\, is out on bail after having shot her husband in the stomach. Their troubles\, grave and yet\, somehow\, hilarious\, are highlighted by their priggish cousin\, Chick\, and by the awkward young lawyer who tries to keep Babe out of jail while helpless not to fall in love with her. In the end the play is the story of how its young characters escape the past to seize the future—but the telling is so true and touching and consistently hilarious that it will linger in the mind long after the curtain has descended. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. \n*************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message. \n 
URL:https://companyonstage.org/cal-event/auditions-the-boy-who-loved-monsters-and-the-girl-who-loved-peas-and-crimes-of-the-heart/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:2024-2025,Audition,Event
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20250112
DTEND;VALUE=DATE:20250114
DTSTAMP:20260422T132025
CREATED:20240829T233710Z
LAST-MODIFIED:20241231T044612Z
UID:1806-1736640000-1736812799@companyonstage.org
SUMMARY:Auditions - "The True Stories of the So-Called Big Bad Wolves" and "N"
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “The True Stories of the So-Called Big Bad Wolves” by Richard Gremel and “N” by Adrienne Pender. \n Auditions will take place on Sunday\, January 12th\, and Monday\, January 13th\, 2025\, beginning at 7pm at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the Stage Managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors are not required to present prepared monologues. The evening will cover the auditions for both shows\, beginning with the Young Audiences Production. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n*************************************************************************** \nYOUNG AUDIENCES PRODUCTION – “The True Story of the So Called Big Bad Wolves” by Richard Gremel \nDirected By: Jennifer Brown \nProduced by special arrangement with Heuer Publishing LLC of Cedar Rapids\, Iowa \nFirst Rehearsal: Sunday\, February 2nd\, 2025 \nRehearsal Schedule: Sunday and Tuesday Evenings Beginning at 7pm. \n(Additional Dates may be added\, if needed) \nPerformance Dates: Saturdays April 5th\, 12th\, 19th\, and 26th\, 2025 at 11 a.m. and 1:30 p.m. and Sunday\, April 13th\, 2025\, at 2 p.m. \nStrike Date: Sunday\, April 27th\, 2025\, at 12 pm \nCASTING REQUIREMENTS: \nTotal Number of Actors: 6 \nAge Range: 16+ \n3 Women and 3 Men \nAll ethnicities are welcome. \nThere are no roles for anyone under 16 in this production. \nLIST OF CHARACTERS\, AGE RANGES\, AND GENDERS: \nJack Wolfe\, P.I. (male\, 16+): The Wolf from Little Red Riding Hood \nHarriet Howls (female\, 16+): The Wolf from The Boy Who Cried Wolf \nB.B. Wolfington (male\, 16+): The Wolf from The Three Little Pigs \nActor 4 (female\, 16+): Red Riding Hood – Wears a red cape; Mother – Timmy’s mother; Penelope Pig – Built their house of straw \nActor 5 (female or male\, 25 – 50s): Granny – Red’s Grandmother; Father – Timmy’s father; Pinky Pig – Built their house of bricks \nActor 6 (male\, 16 – 30): The Woodsman – Red and Granny’s rescuer; Timmy – The boy who cried wolf; Hammy Pig – Built their house of sticks \nSYNOPSIS: \nLittle Red Riding Hood\, The Boy Who Cried Wolf\, and the Three Little Pigs had it wrong when they accused the wolves of being bad. And now the wolves have gone on strike until they can tell their side of the story. See these classic tales retold in a new and comical way. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. \n*************************************************************************** \nEVENING THEATRE PRODUCTION – “N” by Adrienne Pender \nDirected By: Cardero Berryman \nProduced by special arrangement with Havescripts Play Scripts Publishers \nFirst Rehearsal: Monday\, February 3rd\, 2025 \nRehearsal Schedule: Monday\, Wednesday\, and Thursday Evenings Beginning at 7pm. \n(Additional Dates may be added\, if needed) \nPerformance Dates: Fridays and Saturdays\, April 4th\, 5th\, 11th\, 12th\, 18th\, 19\, 25th\, and 26th\, 2025 at 8:00 p.m.\, and Sunday\, April 6th\, 2025\, at 2:00 p.m. \nStrike Date: Sunday\, April 27th\, 2025\, at 12 pm \nCASTING REQUIREMENTS: \nTotal Number of Actors: 3 \nAge range: 25 – 40 \nNumber of Women: 1 \nNumber of Men: 2 \nThis play is based on real people and centers around discussion of race and racial identity. We would like to inform all actors auditioning for this production that the play contains racially charged language\, specifically the use of the N-word\, within its context. This language is an integral part of the script and is used to reflect the themes and historical context of the story. \nWe acknowledge the potentially harmful impact of such language and understand that it may be distressing for some. As such\, we encourage all actors to fully assess their comfort levels with this content before auditioning. The use of this language is not intended to harm or offend\, but to serve the narrative and provide insight into the characters’ experiences. \nIf you have any concerns\, please do not hesitate to contact the production team (info@companyonstage.org) prior to auditions or during the rehearsal process. Your well-being and comfort are important to us\, and we are committed to providing a respectful and supportive environment for all involved. \nPlease look at the character list below\, which clarifies the casting requirements regarding the ethnicity of all roles. \nThere are no roles for anyone under 20 years of age in this production. \nLIST OF CHARACTERS: \nCharles S. Gilpin: African American male\, 25 – 40. Charles is of average size and build\, but he has confidence\, and a presence. He’s intelligent\, somewhat sophisticated\, and always looks sharp. Charles lives and dies by his emotions but also knows how to live in his very segregated times. \nEugene O’Neill: Caucasian male\, 30 – 40. Eugene\, the brooding master playwright\, early in his career. He is brilliant\, cynical\, and dryly sarcastic. He doesn’t smile or laugh easily\, so when he does it is noticeable. He is also a sharp dresser\, as was typical for men in that time. \nFlorence Gilpin: African American female\, 25 – 40. Florence is Charles’s wife. She is the woman behind the man who is proud of the man she loves while trying to keep him grounded. \nSYNOPSIS: \nO’Neill and Gilpin fight from rehearsal to Broadway run and\, eventually\, to the London tour. At stake for O’Neill? His artistic vision. For Gilpin? His entire career and family. To Eugene O’Neill\, a word is just a word. For Charles Gilpin\, those six letters have the power to unravel everything that he has ever worked for. \nAdrienne Earle Pender gives us the influential and momentous “N” play that dramatizes the struggle between playwright Eugene O’Neill and actor Charles Sidney Gilpin over the inclusion of the “N” word in the script for O’Neill’s first box office hit\, The Emperor Jones. in 1920. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT AND AN OPPORTUNITY FOR PRESENTATION OF A PREPARED MONOLOGUE UNDER 1 MINUTE. \n*************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message.
URL:https://companyonstage.org/cal-event/auditions-the-true-stories-of-the-so-called-big-bad-wolves-and-n/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:2024-2025,Audition,Event
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20241117
DTEND;VALUE=DATE:20241119
DTSTAMP:20260422T132025
CREATED:20240813T004938Z
LAST-MODIFIED:20241106T031705Z
UID:1803-1731801600-1731974399@companyonstage.org
SUMMARY:AUDITIONS - "Tomás and the Library Lady” and “The Shadow Box"
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “Tomás and the Library Lady” adapted by José Cruz González\, from the book by Pat Mora\, and “The Shadow Box” by Michael Cristofer. \nAuditions will take place on Sunday\, November 17th\, and Monday\, November 18th\, 2024 beginning at 7pm at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the stage managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors will not need prepared monologues. The evening will cover the auditions for both shows\, beginning with the Young Audiences Production. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n*************************************************************************** \nYOUNG AUDIENCES PRODUCTION – “Tomás and the Library Lady” Adapted by José Cruz González. From the book by Pat Mora  \nDirected By Crystal Mata \nAssistant Directed By Rose Mata \nProduced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock\, Illinois \nFirst Rehearsal: Sunday\, December 8th\, 2024 \nRehearsal Schedule: Sunday and Tuesday Evenings Beginning at 7pm. (Additional Dates may be added\, if needed) \nPerformance Dates: Saturdays February 1st\, 8th\, 15th\, and 22nd\, 2025 at 11 a.m. and 1:30 p.m. and Sunday\, February 16th\, 2025 at 2 p.m. \nStrike Date: Sunday\, February 23rd \nCASTING REQUIREMENTS: \nTotal Number of Actors: 4 actors \nAge Range: 12 – 50 \nNumber of Women: 2 \nNumber of Men 2 \nActors must be comfortable with singing. All roles also require either conversational Spanish or a German Accent. \nLIST OF ROLES \nACTOR #1: plays FLORENCIO and PAPÁ GRANDE – Male\, Conversational Spanish \nACTOR #2: plays JOSEFA and ENRIQUE – Female\, Conversational Spanish \nACTOR #3: plays YOUNG TOMÁS and ADULT TOMÁS – Male\, Conversational Spanish \nACTOR #4: plays NIGHTMARE TEACHER and LIBRARY LADY – Female\, German Accent \nSYNOPSIS: \nTomás\, the son of migrant farm workers\, meets a librarian who introduces him to the wonderful world of books. The stories enrich the lives of Tomás’s family and instill a love of reading. This is the inspiring true story of Tomás Rivera\, who grew up in a migrant worker family\, befriended a librarian in Iowa\, and learned to love books and the places they took him. Tomás went on to a successful career in academia and became the chancellor of the University of California\, Riverside. Adapted from the well-loved book\, this play can be readily understood by both English and Spanish speakers. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT AND SINGING HAPPY BIRTHDAY IN BOTH ENGLISH AND SPANISH. \n*************************************************************************** \nEVENING THEATRE PRODUCTION – “The Shadow Box” by Michael Cristofer \nDirected by Ricky Rojas \nProduced by special arrangement with Concord Theatricals on behalf of Samuel French\, Inc \nwww.concordtheatricals.com \nFirst Rehearsal: Monday\, December 9th\, 2024 \nRehearsal Schedule: Monday\, Wednesday\, and Thursday Evenings Beginning @ 7pm. \n(Additional Dates may be added\, if needed) \nPerformance Dates: Fridays and Saturdays\, January 31st\, February 1st\, 7th\, 8th\, 14th\, 15th\, 21st and 22nd\, 2025 @ 8:00 p.m.\, and Sunday\, February 9th\, 2025 @ 2:00 p.m. \nStrike Date: Sunday\, February 23rd\, 2025 \nCASTING REQUIREMENTS: \nTotal Number of Actors: 8 \nAge range: 15 – 50+ \nNumber of Women: 4 – 5 \nNumber of Men: 4 – 5 \nAll ethnicities are welcome. \nThere are no roles for children under 15 in this production. \nLIST OF CHARACTERS \nThe Interviewer (voice role only) – Well Spoken/Mature. Male or Female. Any Age \nMaggie – Female\, age 30’s – 40’s \nJoe – Male\, age 30’s – 40’s \nSteve – Male\, presents as young teen 15 – 16 years old (guitar experience encouraged) \nBrian – Male\, age 30’s – 50’s \nMark – Male\, age 20’s – 40’s \nBeverly – Female\, age 30’s – 50’s \nFelicity – Female\, age 20’s – 40’s \nAgnes – Females\, age 50+ \nSYNOPSIS: \nIn this compelling dramatic triptych\, three terminal cancer patients dwell in separate cottages on a hospital’s grounds. The three are attended and visited by family and close friends: Agnes and her mother Felicity\, estranged further by the latter’s dementia; Brian and Beverly\, whose marital complications are exacerbated by Brian’s new lover\, Mark; and Joe and Maggie\, unready for the strain of Joe’s impending death and its effect on their teenage son. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. \nVideo Submissions will also be accepted through 11/17/2024 11:59pm.\nSubmissions need to present any monologue from The Shadowbox or 2 contrasting contemporary monologues. All submissions should be 5 minutes long max. Submissions must be sent to rickyarojas95@gmail.com and include a resume\, headshot\, and the video submission link or attachment (YouTube link preferred). \n*************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message.
URL:https://companyonstage.org/cal-event/auditions-tomas-and-the-library-lady-and-the-shadow-box/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:2024-2025,Audition,Event
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240915
DTEND;VALUE=DATE:20240917
DTSTAMP:20260422T132025
CREATED:20240813T004209Z
LAST-MODIFIED:20240829T232319Z
UID:1800-1726358400-1726531199@companyonstage.org
SUMMARY:AUDITIONS - "The Twelve Days of Christmas” and “A Nice Family Christmas"
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “The Twelve Days of Christmas” by Renee Calarco\, adapted from the traditional Christmas song\, and “A Nice Family Christmas” by Phil Olson. \nAuditions will take place on Sunday\, September 15th\, and Monday\, September 16th\, 2024 beginning at 7pm at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the stage managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors will not need prepared monologues. The evening will cover the auditions for both shows\, beginning with the Young Audiences Production. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n*************************************************************************** \nYOUNG AUDIENCES PRODUCTION – “The Twelve Days of Christmas” by Renee Calarco\, adapted from the traditional Christmas song  \nDirected By Mackenzie Faris \nProduced by special arrangement with THE DRAMATIC PUBLISHING COMPANY of Woodstock\, Illinois \nFirst Rehearsal: Sunday\, October 6th\, 2024 \nRehearsal Schedule: Sunday and Tuesday Evenings Beginning at 7pm. (Additional Dates may be added\, if needed) \nPerformance Dates: Saturdays December 7th\, 14\, and 21st 2024 at 11 a.m. and 1:30 p.m. and Sunday\, December 15th at 2 p.m. \nStrike Date: Sunday\, December 22nd\, 2024 \nCASTING REQUIREMENTS: \nTotal Number of Actors: 11 \nAge Range: 16 – 60 \nNumber of Women: 7 \nNumber of Men: 4 \nAll ethnicities are welcome. \nActors must be comfortable with playing multiple high energy roles and some roles incorporate dancing at an amateur level. Some roles will also ideally incorporate generic British and French accents. Some roles will also include an amateur “rap battle”. \nThere are no roles for anyone under 16 in this production. \nLIST OF CHARACTERS\, AGE RANGES\, AND GENDERS: \nSHIRLEY: Female; 17-25 Years Old \nALYSSA / DOT: Female; 20-30 Years Old \nMOM: Female; 30-50 Years Old \nGRAMMY: Female; 40+ Years Old \nGREAT GRAMMY: Female; 50+ Years Old \nCHRISTMAS HORDER: Male; 20-60 Years Old \nCLOTHILDE / CALLING BIRDS 1 / FRANCES: Female; 17-30 Years Old (Must Be Able to Move and Dance(ish)) \nSOLANGE / CALLING BIRD 3 / SAMANTHA: Female; 17-30 Years Old (Must Be Able to Move and Dance(ish)) \nRICKY / CALLING BIRD 2 / TYLER: Male; 17-30 Years Old (Must Be Able to Move and Dance(ish)) \nHENRI / NICK: Male; 17-30 Years Old (Must Be Able to Move and Dance(ish)) \nFARMER / CALLING BIRD 4 / HOST: Male; 17-30 Years Old (Must Be Able to Move and Dance(ish)) \nSYNOPSIS: \nChristmas is just around the corner\, and Shirley the Partridge is a bit nervous because it’s her very first time carrying out the ancient family tradition—gathering the French Hens and the Calling Birds and … oh … everyone—for the official singing of “The Twelve Days of Christmas.” With strict instructions from her mom\, Grammy and Great Grammy to guard the Five Golden Rings\, Shirley sets off on a quest to find the song participants. But there are some bumps in the road. The sweet and sappy Turtledoves get injured while doing their adorable mating dance. The manic and overworked Calling Birds decide to postpone Christmas until spring when shipping and fuel costs are lower. The Six Geese a-Laying have flown south to Florida for the winter\, taking most of the Seven Swans a-Swimming with them. And just when things can’t possibly get any worse for Shirley\, the evil Christmas Hoarder steals the Five Golden Rings\, adding them to his growing holiday collection of Christmas ornaments\, Hanukkah menorahs\, Kwanzaa fruits\, Diwali candles … and entire Thanksgiving dinners. But things begin looking up when Alyssa—a super-cool steampunk swan—befriends the grumpy Shirley and joins her on her quest. Will they be able to save Christmas? Or will they decide to break with tradition and “mix things up a little?” With fresh dialogue and vivid characters\, The Twelve Days of Christmas is a playful\, modern interpretation of the classic Christmas song. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT (INCLUDING THE GENERAIC BRITISH AND FRENCH ACCENTS)\, A “RAP SESSION”\, AND PYSICALITY. \n*************************************************************************** \nEVENING THEATRE PRODUCTION – “A Nice Family Christmas” by Phil Olson \nDirected by Mark Carrier \nProduced by special arrangement with Concord Theatricals on behalf of Samuel French\, Inc. www.concordtheatricals.com \nFirst Rehearsal: Monday\, October 7th\, 2024 \nRehearsal Schedule: Monday\, Wednesday\, and Thursday Evenings Beginning @ 7pm. \n(Additional Dates may be added\, if needed) \nPerformance Dates: Fridays and Saturdays\, December 6th\, 7th\, 13th\, 14th\, 20th\, and 21st\, 2024 @ 8:00 p.m.\, and Sunday\, December 8th\, 2024 @ 2:00 p.m. \nStrike Date: Sunday\, December 22nd\, 2024 \nCASTING REQUIREMENTS: \nTotal Number of Actors: 7 \nAge range: 20’s to 80’s \nNumber of Women: 4 \nNumber of Men: 3 \nAll ethnicities are welcome. \nThere are no roles for anyone under 18 in this production. \nLIST OF CHARACTERS: \nCARL: Male\, 20’s to 30’s – The middle brother. Grew up in the shadow of his older brother\, Michael\, the doctor. Has a little inferiority complex brought on by Michael. He writes a column for the Minneapolis Star Tribune newspaper. \nMOM; Female\, 50’s to 60’s – Very nice. Always putting on a happy face\, her goal is to keep the peace and get through the family event without incident. Mom’s husband\, Carl (senior)\, died three years ago. She’s doing her best to get over the loss and keep everyone happy. \nGRANDMA: Female\, 70’s to 80’s – A real character. Grew up in a one-room house with ten brothers and sisters on a farm in northern North Dakota. Had a very tough life growing up. She is tough as nails\, and wants everyone else to be\, too. \nMICHAEL: Male\, 20’s to 30’s – The older brother. The doctor. A little nerdy. Wears a bow tie. The favorite son\, at least at first. He’s a little self-absorbed\, a little blind to what he needs to do to keep his marriage to Jill intact. \nSTACY: Female\, 20’s to 30’s – The younger sister. Nice. Kind of a wholesome midwestern innocence. Overlooked\, but not angry about it. \nUNCLE BOB: Male\, 50’s to 60’s – A partier. Fun-loving. Has an agenda. Everyone has a crazy Uncle Bob. \nJILL: Female\, 20’s to 30’s – Michael’s trophy wife. Emotional from being hormonal. Sometimes a little spacey. The only one who understands Grandma’s crazy sayings. Wants to make her marriage work with Michael if he can prove he loves her. \nSYNOPSIS: \nIt’s Christmas Eve\, and a young newspaper reporter on the brink of being fired has been assigned a last-chance story about a typical family Christmas – his family’s Christmas. He goes home to his recently widowed mother\, his crazy uncle\, his eccentric grandmother\, and his battling siblings and their neurotic spouses\, who provide no shortage of material. One by one\, we learn each family member’s secrets\, problems\, and dysfunctions\, and when they learn that he’s writing an article with some very personal family information\, the fruitcake hits the fan. The question is\, will the magic of Christmas bring this family back together? \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. \n*************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message.
URL:https://companyonstage.org/cal-event/auditions-the-twelve-days-of-christmas-and-a-nice-family-christmas/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:2024-2025,Audition
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240721
DTEND;VALUE=DATE:20240723
DTSTAMP:20260422T132025
CREATED:20240711T025244Z
LAST-MODIFIED:20240721T005815Z
UID:1687-1721520000-1721692799@companyonstage.org
SUMMARY:AUDITIONS - "Dorothy Meets Alice” and “When We Get Good Again"
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “Dorothy Meets Alice” and “When We Get Good Again”. \nAuditions will take place on Sunday\, July 21st\, and Monday\, July 22nd\, 2024 beginning at 7pm at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the stage managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors will not need prepared monologues. The evening will cover the auditions for both shows\, beginning with the Young Audiences Production. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n*************************************************************************** \nYOUNG AUDIENCES PRODUCTION – “Dorothy Meets Alice” by Joseph Robinette.  \nBased on the musical by Joseph Robinette and Karl Jurman \nDirected By Allison Hall \nProduced by special arrangement with Dramatic Publishing Company of Woodstock\, Illinois. \nFirst Rehearsal: Sunday\, August 11th \nRehearsal Schedule: Sunday and Tuesday Evenings Beginning at 7pm. \n(Additional Dates may be added\, if needed) \nPerformance Dates: Saturdays October 5th\, 12th\, 19th and 26th\, 2024 at 11 a.m. and 1:30 p.m. and Sunday\, October 20th at 2 p.m. \nStrike Date: Sunday\, October 27th\, 2024 \nCASTING REQUIREMENTS: \nTotal Number of Actors: 11 \nAge Range: 16+ \nThis is a Flexible Cast (4-8 Women and 3-7 Men) \nThe Director is happy to work to develop accents during the rehearsal process\, but she would like to hear what accents you have during auditions. She is looking for a Cockney/British accent for the Alice in Wonderland characters and a country accent for The Wizard of Oz characters. \nAll ethnicities are welcome. \nThere are no roles for anyone under 16 in this production. \nLIST OF CHARACTERS\, AGE RANGES\, AND GENDERS: \nDorothy (female): looks like teen\, age16-25 \nAlice (female): looks like teen\, age 16-25 \nJudson (male): looks like teen\, age 16 – 25 \nMad Hatter: 16+\, any gender \nScarecrow: 16+\, any gender \nWhite Rabbit: 16+\, any gender \nTin Man: 16+\, any gender \nDormouse: cockney accent\, 16+\, any gender \nCowardly Lion: 16+\, any gender \nWicked Witch (female): 20+ \nRed Queen (female): 20+ \nSYNOPSIS: \nThis new play version of the delightful meeting of two of literature’s most famous young ladies unfolds when a young man puts off a book report till the last minute\, then suddenly finds himself in a strange place somewhere between Oz and Wonderland. It then becomes his responsibility to unscramble the stories and steer the familiar characters—the Cowardly Lion\, the Mad Hatter\, the Scarecrow and the White Rabbit\, among others—to their ultimate destinations while avoiding the Wicked Witch and the Red Queen. This hilarious\, adventuresome romp is filled with laughter and surprises at every turn. And a couple of lessons emerge along the way as well. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT AND PHYSICALITY. \n*************************************************************************** \nEVENING THEATRE PRODUCTION – “When We Get Good Again” by James McLindon \nDirected by Dylan Smail \n“When We Get Good Again” is produced by special arrangement with THE DRAMATIC PUBLISHING COMPANY\, INC.\, of Woodstock Illinois. \nFirst Rehearsal: Monday\, August 12\, 2024 \nRehearsal Schedule: Monday\, Wednesday\, and Thursday Evenings Beginning @ 7pm. \n(Additional Dates may be added\, if needed) \nPerformance Dates: Fridays and Saturdays\, October 4th\, 5th\, 11th\, 12th\, 18th\, 19th\, 25th\, and 26th\, 2024 @ 8:00 p.m.\, and Sunday\, October 13th\, 2024 @ 2:00 p.m. \nStrike Date: Sunday\, October 27th\, 2024 \nCASTING REQUIREMENTS: \nTotal Number of Actors: 4 \nAge range: 20s – 30s \nNumber of Women: 2 \nNumber of Men: 2 \nAll ethnicities are welcome. \nThere are no roles for children in this production. \nLIST OF CHARACTERS: \nTracy (female): College Student\, around 21 (20s – looks like college students)\, white \nPerry (male): Around 30 (25-35\, looks late 20s to 30s)\, any ethnicity \nRoy (male): College Hockey Player\, around 21 (20s look like college students) any ethnicity \nNadiya (female): Ukrainian college student\, 18 (20s look like college students) Accents expected in auditions for this role. \nSYNOPSIS: \nPoor but brilliant college student Tracy needs straight A’s to get into a top law school that will forgive her mountain of academic debt so she can be a lawyer for the poor. With the economic odds stacked against her\, she tries to rationalize her job writing term papers for other wealthy students\, including Roy\, a lazy hockey player\, and Nadiya\, an equally brilliant Ukrainian student deficient in English. But she’s not sure she can do it. When We Get Good Again explores the current age in which personal integrity seems to be eroding before our eyes\, and each day seems to bring new headlines about politicians who lie as naturally as they breathe and parents who buy their child’s admission into the college of their choice. In a world of privilege and deprivation\, is it still immoral to cheat in order to level a playing field that is already supposed to be flat? \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. \n*************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message.
URL:https://companyonstage.org/cal-event/auditions-dorothy-meets-alice-and-when-we-get-good-again/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:Audition,Event
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240303
DTEND;VALUE=DATE:20240305
DTSTAMP:20260422T132025
CREATED:20240221T024526Z
LAST-MODIFIED:20240301T173902Z
UID:1105-1709424000-1709596799@companyonstage.org
SUMMARY:AUDITIONS - Treasure Island & Meteor Shower
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “Treasure Island” and ” Meteor Shower”. \nAuditions will take place on Sunday\, March 3\, and Monday\, March 4\, 2024 beginning at 7pm at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the stage managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors will not need prepared monologues. The evening will cover the auditions for both shows\, beginning with “Treasure Island”. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n*************************************************************************** \nYOUNG AUDIENCES PRODUCTION – “Treasure Island” by Toby Hulse \nBased on the book by Robert Louis Stevenson; Adapted for the stage by Toby Hulse \nDirected By Dano Colón \nProduced by special arrangement with PLAYS FOR NEW AUDIENCES \nFirst Rehearsal: Sunday\, March 24\, 2024 \nRehearsal Schedule: Sunday and Tuesday Evenings Beginning at 7pm. \n And Saturday afternoons beginning at 3pm from April 20th – May 11th. \n(Additional Dates may be added\, if needed) \nPerformance Dates: Saturdays May 18th\, 25th\, June 1st\, 8th\, and 15th\, 2024 at 2:00 p.m. and Sundays\, May 19th\, 26th\, and June 9th\, 2024. \nStrike Date: Sunday\, June 16\, 2024 \nCASTING REQUIREMENTS: \nTotal Number of Actors: 6 \nAge Range: Late Teens through 60+ \nNumber of Men: Up to 4 \nNumber of Women: 2+ \nAll ethnicities are welcome. \nActors must be comfortable with physical comedy\, playing multiple roles and unserious singing. \nThere are no roles for anyone under 18 in this production. \nLIST OF CHARACTERS\, AGE RANGES\, AND GENDERS: \nEmily- (18-Early 20s)\, female who looks younger. \nMorgan Blood – (18+ years old) Male or Female\, Pirate \nJack Abraham – (18+ years old) Male or Female\, Pirate \nCaptain Henry Payne – (18+ years old) Male or Female\, Pirate \nOne-Eyed Bart – (18+ years old) Male or Female\, Pirate \nMary Ann Evans – (18+ years old) Female\, Pirate \nSYNOPSIS: \nThe story of Long John Silver and his pirate crew spill from the spirited imagination of a young girl. Emily dreams of being a pirate\, although wanting to be a businesswoman would be more sensible. Her dream comes to life in this version of Stevenson’s classic tale\, where she is Jim Hawkins in the story of wicked pirates\, good old English pluck and buried treasure. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. \n*************************************************************************** \nEVENING THEATRE PRODUCTION – “Meteor Shower” by Steve Martin \nDirected by Nicholas Garelick \n“Meteor Shower” is presented by arrangement with Concord Theatricals on behalf of Samuel French\, Inc. www.concordtheatricals.com \nFirst Rehearsal: Monday\, March 25\, 2024 \nRehearsal Schedule: Monday\, Wednesday\, and Thursday Evenings Beginning @ 7pm. \n(Additional Dates may be added\, if needed) \nPerformance Dates: Fridays and Saturdays\, May 17th\, 18th\, 24th\, 25th\, 31st\, June 1st\, 7th and 8th\, 2024 @ 8:00 p.m.\, and Sunday\, June 2\, 2024 @ 2:00 p.m. \nStrike Date: Sunday\, June 16\, 2024 \nCASTING REQUIREMENTS: \nTotal Number of Actors: 4 \nAge range 30s – 40s \nNumber of Women: 2 \nNumber of Men: 2 \nAll ethnicities are welcome. \nThere are no roles for children in this production. \nThis production does involve multiple characters having physical interactions with each other that may include kissing\, physical contact\, and implied sex. COS will have an Intimacy Coordinator for this production. \nLIST OF CHARACTERS: \nCorky \nNorm \nGerald \nLaura \nSYNOPSIS: \nCorky and Norm are excited to host Gerald and Laura at their home in the valley outside Los Angeles to watch a once-in-a-lifetime meteor shower. But as the stars come out and the conversation gets rolling\, it becomes clear that Gerald and Laura might not be all that they appear to be. Over the course of a crazy\, starlit dinner party\, the wildly unexpected occurs. The couples begin to flirt and insanity reigns. Martin\, using his trademark absurdist humor\, bends the fluid nature of time and reality to create a surprising and unforgettably funny new play. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. \n*************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message.
URL:https://companyonstage.org/cal-event/auditions-treasure-island-meteor-shower/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:Audition
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20240107
DTEND;VALUE=DATE:20240109
DTSTAMP:20260422T132025
CREATED:20231229T033021Z
LAST-MODIFIED:20240105T025029Z
UID:1102-1704585600-1704758399@companyonstage.org
SUMMARY:AUDITIONS - The Little Mermaid & The Stranger
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “The Little Mermaid” and “The Stranger”. \n Auditions will take place on Sunday\, January 7\, and Monday\, January 8\, 2024 beginning @7pm at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the stage managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors will not need prepared monologues. The evening will cover the auditions for both shows\, beginning with “The Little Mermaid”. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n *************************************************************************** \nYOUNG AUDIENCES PRODUCTION – “The Little Mermaid” \nAdapted by Linda Daugherty. From the story by Hans Christian Andersen. \nDirected By Kathryn Noser \nProduced by special arrangement with THE DRAMATIC PUBLISHING COMPANY\, INC.\, of Woodstock\, Illinois \nThe Little Mermaid premiered at the Dallas Children’s Theater on September 27\, 1991. \nFirst Rehearsal: Sunday\, February 4\, 2024 \nRehearsal Schedule: Sunday and Tuesday Evenings Beginning @ 7pm. \n(Additional Dates may be added\, if needed) \nPerformance Dates: Saturdays\, March 23\, 30\, April 6 and 13\, 2024 @ 11:00 a.m. and 1:30 p.m. and Sunday\, March 24\, 2024\, @ 2:00 p.m. \nStrike Date: Sunday\,  April 14\, 2024 \n CASTING REQUIREMENTS: \nTotal Number of Actors: 12 \nAge Range: Late Teens through 60+ \nNumber of Men: 5 \nNumber of Women: 7 \nAll ethnicities are welcome. \nActors must be comfortable with physical comedy and singing. \nThere are no roles for anyone under 16 in this production. \n LIST OF CHARACTERS\, AGE RANGES\, AND GENDERS: \nPearl: Female\, Late Teens-20s\, The Little Mermaid. \nLuna: Female\, Late Teens-20s\, Eldest Mermaid Sister – studious\, serious\, responsible (also plays one of Prince Stefan’s Maids) \nCoral: Female. Late Teens-20s\, 2nd Born Mermaid Sister – Fun loving and interested in Handsome Mermen \nAnemone: Female\, Late Teens-20s\, 3rd born Mermaid Sister – emotional\, excitable\, and sensitive (also plays one of Prince Stefan’s Maids) \nSea King: Male\, 40s-50s\, Father of the mermaid sisters and son of Great Mother. Strong\, Kind\, and Wise. Wants happiness for his daughters. \nGreat Mother: Female\, 60+\, Grandmother of the mermaid sisters\, Mother of the Sea King. Sympathetic\, wise\, warm and brave \nYorick: Male\, 20s-50s\, Lifelong valet of Prince Stefan – excitable and good-hearted \nWilliam: Male\, Late Teens-20s\, Sailor – Young\, Strong\, Agreeable (also plays Puffer and an eel) \nTimothy:  Male\, Late Teens-20s\, Sailor – Young\, Strong\, Agreeable (also plays an eel) \nPrince Stefan: Male\, 20s-30s\, Handsome\, truthful\, brave\, and kind \nPrincess Marianna:  Female\, Late Teens-20s\, Young\, pretty\, and gentle. Hopes for happiness for everyone \nSea Witch: Female\, 30s-50s\, Selfish\, vindictive\, and volatile\, and evil force with supernatural powers. \n SYNOPSIS: \nIn this adaptation of Hans Christian Andersen’s classic fairy tale\, based in the harmonious world of merpeople\, the little mermaid Pearl dreams of the world above. Her sisters Luna and Coral\, her father\, Anemone the Sea King\, and her grandmother\, the Great Mother\, warn her of dangers above. But Pearl\, in love with the handsome prince whose life she saved\, trades her voice to the Sea Witch to become human.  When the deal goes south\,  Pearl’s only hope of a happy ending is the Great Mother… \n AUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. \n *************************************************************************** \nEVENING THEATRE PRODUCTION – “The Stranger“ \nWritten by Agatha Christie \nDirected by Shelia Emery \n“The Stranger” is presented by arrangement with Concord Theatricals on behalf of Samuel French\, Inc. www.concordtheatricals.com \nFirst Rehearsal: Monday\, February 5\, 2024 \nRehearsal Schedule: Monday\, Wednesday\, and Thursday Evenings Beginning @ 7pm. \n(Additional Dates may be added\, if needed) \nPerformance Dates: Fridays and Saturdays\, March 22\, 23\, 29\, 30\, April 5\, 6\, 12 and 13\, 2023 @ 8:00 p.m.\, and Sunday\, April 7\, 2024 @ 2:00 p.m. \nStrike Date: Sunday\, April 14\, 2024 \n CASTING REQUIREMENTS: \nTotal Number of Actors: 6 \nAge range 20s – 50s \nNumber of Women: 4 \nNumber of Men: 2 \nAll ethnicities are welcome. \nThere are no roles for children in this production. \n DESCRIPTION OF CHARACTERS: \nDoris West: 20s \nMrs. Huggins: 40s-50s \nEnid Bradshaw: 20s \nGerald Strange: 30s \nDick Lane: 30s \nMrs. Birch: 40-50s \n SYNOPSIS: \nEnid rejects her fiancé for newcomer Gerald and moves to a remote country cottage with him – where a dark and terrible climax takes place. \n AUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. \n *************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message. \n 
URL:https://companyonstage.org/cal-event/auditions-the-little-mermaid-the-stranger/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:Audition,Event
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20231112
DTEND;VALUE=DATE:20231114
DTSTAMP:20260422T132025
CREATED:20231027T010416Z
LAST-MODIFIED:20231027T010416Z
UID:1099-1699747200-1699919999@companyonstage.org
SUMMARY:AUDITIONS - Charlotte's Web & The Complete Works of William Shakespeare (abridged) [revised] [again]
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “Charlotte’s Web” and “The Complete Works of William Shakespeare (abridged) [revised] [again]”. \nAuditions will take place on Sunday\, November 12\, and Monday\, November 13\, 2023 beginning at 7pm at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the stage managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors will not need prepared monologues. The evening will cover the auditions for both shows\, beginning with “Charlotte’s Web”. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n************************************************************************** \nYOUNG AUDIENCES PRODUCTION \n“Charlotte’s Web” \nAdapted by Joseph Robinette. Based on the book by E.B. White. \nDirected By Ricky Rojas \nProduced by special arrangement with THE DRAMATIC PULISHING COMPANY of Woodstock\, Illinois \nDATES OF NOTE \n\nFirst Rehearsal: Sunday\, December 3\, 2023\nRehearsal Schedule: Sunday and Tuesday Evenings Beginning @ 7pm.\n***Additional Dates: January 1\, 7 (@ 3pm)\, 21\, and 25\, 2024***\n***No Rehearsals on January 23\, 2024***\nPerformance Dates: Saturdays\, January 27\, February 3\, 10\, and 17\, 2024 @ 11:00 a.m. and 1:30 p.m. and Sunday\, February 4\, 2024\, @ 2:00 p.m.\nStrike Date: Sunday\, February 18\, 2024\n\nCASTING REQUIREMENTS: \n\nTotal Number of Actors: 7\nAge Range: 16 through 50s\nNumber of Men: 4-5\nNumber of Women: 2-3\nAll ethnicities are welcome.\nActors must be comfortable with physicality\, playing multiple high energy roles (including animals)\, and be comfortable lifting up to 25 lbs to help with set changes.\nThere are no roles for anyone under 16 in this production.\n\nLIST OF CHARACTERS\, AGE RANGES\, AND GENDERS: \n\nWilbur: A pig. Male 16+ -young 20s (young presenting)\nCharlotte: A spider. Female 16+ -50\, able to climb\nFern Arable/Goose/Spectator/Judge: Female 16+ – young 20s\nJohn Arable/Templeton/Lurvy: Male 25+ -50s\nHomer Zuckerman/Avery/Sheep/Spectator/Judge: Male 25+ -50s\nGander/Reporter (Carter)/Uncle (Pig)/President of the Fair-Male 20+ -50s\nNarrator: 16+ to 50s voice role. Male or Female\n\n  \nSYNOPSIS: \nThe Children’s Literature Association named this “the best American children’s book of the past two hundred years\,” and Joseph Robinette\, working with the advice of E.B. White\, has created a play that captures this work in a thrilling theatrical presentation. All the enchanting characters are here: Wilbur\, the irresistible young pig who desperately wants to avoid the butcher; Fern\, a girl who understands what animals say to each other; Templeton\, the gluttonous rat who can occasionally be talked into a good deed; the Zuckerman family; the Arables; and\, most of all\, the extraordinary spider\, Charlotte\, who proves to be “a true friend and a good writer.” Determined to save Wilbur\, Charlotte begins her campaign with the “miracle” of her web in which she writes\, “Some pig.” This is a beautiful and knowing play about friendship. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READING FROM THE SCRIPT AND PHYSICALITY. \n*************************************************************************** \nEVENING THEATRE PRODUCTION \n“The Complete Works of William Shakespeare (abridged) [revised] [again]” \nWritten by Adam Long\, Daniel Singer\, and Jess Winfield. New Revisions by Daniel Singer and Jess Winfield \nDirected by Aaron Garrett \nTHE COMPLETE WORKS OF WILLIAM SHAKESPEARE (abridged) is performed by special arrangement with Broadway Play Publishing In c\, New York\, NY \nDATES OF NOTE \n\nFirst Rehearsal: Monday\, December 4\, 2023\nRehearsal Schedule: Monday\, Wednesday\, and Thursday Evenings Beginning @ 7pm.\n***Additional Dates: January 5\, 6 (@ 3:30pm)\, 13 (@ 3:30pm)\, 19\, 20 and 23\, 2024***\n***No Rehearsals on December 7\, 2023\, and January 4\, 11\, 18\, and 22\, 2024***\nPerformance Dates: Fridays and Saturdays\, January 26\, 27\, February 2\, 3\, 9\, 10\, 16\, and 17\, 2024 @ 8:00 p.m.\, and Sunday\, February 11\, 2024 @ 2:00 p.m.\nStrike Date:  Sunday\, February 18\, 202\n\nCASTING REQUIREMENTS: \n\nTotal Number of Actors: 3\nAge range 18 – 60\nNumber of Men or Women: 3\nAll ethnicities are welcome.\nThere are no roles for children in this production.\n\nDESCRIPTION OF CHARACTERS: \nAll three roles are open to any gender\, and all actors will play multiple parts. Roles are highly physical\, and actors will need to run\, jump\, climb\, carry\, be carried and fall. Actors will need to be comfortable with stage combat and close contact such as hugging and kissing. If you have experience with a string instrument\, that would be a bonus\, but not required. \nCOS will have an Intimacy Coordinator for this production. \nSYNOPSIS: \nThe cultural touchstone that is THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) was born when three inspired\, charismatic comics\, having honed their pass-the-hat act at Renaissance fairs\, premiered their preposterous masterwork at the Edinburgh Festival Fringe in 1987. It quickly became a worldwide phenomenon\, earning the title of London’s longest-running comedy after a decade at the Criterion Theatre. THE COMPLETE WORKS OF WILLIAM SHAKESPEARE (ABRIDGED) is one of the world’s most frequently produced plays and has been translated into several dozen languages. Featured are all 37 of Shakespeare’s plays\, performed in 97 minutes\, by three actors. Fast paced\, witty\, and physical\, it’s full of laughter for Shakespeare lovers and haters alike. The original version was followed by the 2010 REVISED version\, and this latest REVISED AGAIN version includes changes that celebrate and encourage greater diversity and inclusivity in today’s theater! \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT AND IMPROVIZATION. AUDITIONERS SHOULD DRESS READY TO MOVE. \n*************************************************************************** \nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message.
URL:https://companyonstage.org/cal-event/auditions-charlottes-web-the-complete-works-of-william-shakespeare-abridged-revised-again/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:Audition
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230924
DTEND;VALUE=DATE:20230926
DTSTAMP:20260422T132025
CREATED:20230911T232759Z
LAST-MODIFIED:20230912T191621Z
UID:1096-1695513600-1695686399@companyonstage.org
SUMMARY:AUDITIONS - A Tale of Two Santas & The Charitable Sisterhood Christmas Spectacular
DESCRIPTION:The Company OnStage is excited to announce that we are hosting auditions for “A Tale of Two Santas” and “The Charitable Sisterhood Christmas Spectacular”. \nAuditions will take place on Sunday\, September 24\, and Monday\, September 25\, 2023 beginning @7pm at 5720 Bellaire Blvd\, Suite G\, Houston\, TX 77081. We ask that participants arrive 15 minutes early to fill out paperwork and introduce yourself to the stage managers. If you have a headshot and resume\, please bring it (not required). There are no audition appointments\, and actors will not need prepared monologues. The evening will cover the auditions for both shows\, beginning with “A Tale of Two Santas”. During each show’s audition\, all actors will have an opportunity to demonstrate their skills in a group setting with the director selecting sides and combinations of participants to read together or independently. Please be prepared to move and make bold choices! \n*************************************************************************** \nYOUNG AUDIENCES PRODUCTION: “A Tale of Two Santas”\nWritten by Andy Huggins\nDirected By Lauren Hainley\nProduced by special arrangement with ANDY HUGGINS \nFirst Rehearsal: Sunday\, October 8\, 2023\nRehearsal Schedule: Sunday and Tuesday Evenings Beginning @ 7pm (Additional Dates may be added\, if needed)\nPerformance Dates: Saturdays\, December 2\, 9\, and 16\, 2023 @ 11:00 a.m. and 1:30 p.m. and Sunday\, December 3\, 2023\, @ 2:00 p.m.\nStrike Date: Sunday\, December 17\, 2023 \nCASTING REQUIREMENTS:\nTotal Number of Actors: 7\nAge Range: 18 through 40+\nNumber of Men: 2-6\nNumber of Women: 1-5\nAll ethnicities are welcome.\nActors must be comfortable with physical comedy and singing.\nThere are no roles for anyone under 18 in this production. \nLIST OF CHARACTERS\, AGE RANGES\, AND GENDERS:\nSanta Claus: 35 and Up Male\nMrs. Claus: 35 and Up Female\nMax (Santa’s Chief Assistant): 20-40 Open to Any Gender\nClaude (An Elf): 20-40 Open to Any Gender\nMonty (An Elf): 20-40 Open to Any Gender\nMr. Corkle: 40+ Male\nEverett Corkle: 18-25 (Looks Younger) Open to Any Gender \nSYNOPSIS:\nWhat do you do when you feel it’s time for a change? For Max\, an elf at the North Pole\, change means taking on the role of the big guy himself. But when Christmas comes and the first delivery goes sideways\, will Max be able to fill Santa’s big shoes? This holiday musical comedy will answer the question: what do you do when you have two Santas? \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READING FROM THE SCRIPT AND PHYSICALITY. AUDTIONERS WILL BE ASKED TO SING A HOLIDAY SONG. \n*************************************************************************** \nEVENING THEATRE PRODUCTION: “The Charitable Sisterhood Christmas Spectacular”\nWritten by Bo Wilson\nDirected by Brett Hainley\nProduced by special arrangement with THE DRAMATIC PUBLISHING COMPANY\, INC.\, of Woodstock\, Illinois. \nFirst Rehearsal: Monday\, October 9\, 2023\nRehearsal Schedule: Monday\, Wednesday\, and Thursday Evenings Beginning @ 7pm (Additional Dates may be added\, if needed)\nPerformance Dates: Fridays and Saturdays\, December 1\, 2\, 8\, 9\, 15\, and 16\, 2023 @ 8:00 p.m.\, and Sunday\, December 10\, 2023 @ 2:00 p.m.\nStrike Date: Sunday\, December 17\, 2023 \nCASTING REQUIREMENTS:\nTotal Number of Actors: 5\nAge range 35 – 65\nNumber of Women: 5\nAll ethnicities are welcome.\nThere are no roles for children in this production. \nDESCRIPTION OF CHARACTERS:\nTina Yates (40s) – Originally from Walbrook\, just outside Baltimore. A successful nurse because she’s warm\, practical and cares about people\, but doesn’t tend to pause and consider whether she ought to be less frank; a blurter. Enjoys her role as the local Yankee. \nLorraine Jensen (40s) – Lived here (a small town in Virginia) all her life. Has nine children\, at last count. Gently sarcastic and always good humored. \nBea Littleton (Late 40s to early 50s) – The wife of Pastor Hiram Littleton and happy to let you know it. He might be the pastor\, but it’s her church. \nJanet Murchison (35-40) – A New Jersey native who recently opened her own private investigation agency. Quick with a wisecrack and even quicker with ideas. Bea trusts her even though she dislikes doing so. \nLucille Orton (50s) – The widow of the late Reverend Joseph Orton of First Salvation Church. Bea’s blood rival. In appearance\, puritanical and scary. In tone\, sweetly menacing. Carrie Nation by way of Sue Ann Nivens. \nSYNOPSIS:\nChristmas\, 1977\, is only three weeks away\, and the ladies of the Charitable Sisterhood are preparing for Second Trinity Church’s annual Christmas Spectacular … but they’re having trouble staying focused on their preparations because there’s a criminal on the loose—someone has stolen the baby Jesus figure from his place in Second Trinity’s nativity scene. Sisterhood leader Bea Littleton is certain that the culprit is her longtime rival\, Lucille Orton\, from First Salvation (a place of extremely strict beliefs just up the road). Bea and the other sisterhood members decide that they need help getting to the bottom of things\, and they call in honorary member and private investigator Janet Murchison to delve more deeply into things and see if she can determine who the perpetrator is. By show time\, Janet is starting to think she knows exactly who is guilty of what … but the truth can’t be revealed until the end of the Spectacular. As a result\, we watch from both onstage and backstage\, as the sisterhood performs sacred songs and satirical skits (after all\, where else does Santa meet the Wise Men at the manger?). The fun doesn’t let up until the hilarious revelation at the show’s climax\, which leaves the audience and the sisterhood filled with the very best spirit of the Christmas season. \nAUDITIONS FOR THIS PRODUCTION WILL CONSIST OF COLD READINGS FROM THE SCRIPT. \n***************************************************************************\nThe Company OnStage\, Inc. (COS)\, is an all-volunteer Texas nonprofit corporation with tax exempt status under Section 501(c)(3) of the Internal Revenue Code and can be reached by visiting www.companyonstage.org or by calling 713-726-1219 and leaving a message.
URL:https://companyonstage.org/cal-event/auditions-a-tale-of-two-santas-the-charitable-sisterhood-christmas-spectacular/
LOCATION:Company OnStage\, 5720 Bellaire Blvd.\, Ste G\, Houston\, TX\, 77081\, United States
CATEGORIES:Audition
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230611
DTEND;VALUE=DATE:20230618
DTSTAMP:20260422T132025
CREATED:20230522T021616Z
LAST-MODIFIED:20230611T042009Z
UID:729-1686441600-1687046399@companyonstage.org
SUMMARY:Virtual Auditions
DESCRIPTION:The Company OnStage will be accepting virtual auditions submission for our 2023 Summer Gala from June 11-17. We are looking for performance ready acts to participate in our variety show entertainment for our annual fundraising gala. Our theme is “Create Your Own Story.” We are looking for a dance\, a monologue\, a multi-person scene\, a song (set of songs)\, a duet\, a comedy routine\, or other creative performance expression. Auditions will need to be as performance ready as possible\, 10 minutes or less in length\, and all content must be PG-13 or tamer. All performers need to be 18 years of age or older.  \nOur 2023 Summer Gala is on July 22nd.  We will have a mandatory rehearsal that day at 3pm. Performers will need to be available from that time through the end of event. The cast announcement will be made by June 28th. This is a non-paid opportunity. \nThe audition window is opening from June 11-17. Click HERE to submit your audition. \nIf you have any questions\, please reach out to Eileenmilestx@gmail.com.
URL:https://companyonstage.org/cal-event/virtual-auditions/
LOCATION:Online
CATEGORIES:Audition,Event
ORGANIZER;CN="The Company OnStage":MAILTO:info@companyonstage.org
END:VEVENT
END:VCALENDAR